How did the “Doctrine of Empiricism” change the way artists created art?

The term â€Å"empiricism† has a double historical background, stemming both from the Greek word for â€Å"experience†. (http://www. philosophybasics. com/branch_empiricism. html) The â€Å"Doctrine of Empiricism† changed the manner in which craftsmen made craftsmanship. They went from a liberal attitude toward the best approach to communicate workmanship to an increasingly organized view. It disappeared the possibility of mystical, custom, and legend and supplanted it with basic idea, and the logical strategy for experimentation and the information through observational information. (The Enlightenment) A rationalist that well speaks to experimentation was John Locke. Picture of John Locke, by Sir Godfrey Kneller. Oil on canvas. 76ãâ€"64 cm. England, 1697. Wellspring of Entry: Collection of Sir Robert Walpole, Houghton Hall, 1779 Locke accepted that everybody was brought into the world with a â€Å"blank slate† and information was acquired for a fact. ( Theory of Knowledge, Empiricism) That changed the manner in which specialists made workmanship since it gave them a progressively practical view on the most proficient method to communicate. They took what they definitely knew and have encountered and begun an entirely different recognition. Despite the fact that this entire idea was new to everybody, not every person concurred. Jean-Jacques Rousseau contended the possibility of flawlessness in progress and information, however he despite everything introduced satisfactory thoughts on the grounds that the scholars of this period contended for the flawlessness of the regular. (The Enlightenment) Leonardo Da Vinci was a backer for cautious exact perception and an early form of the logical technique, making him critical to the advancement of both science and incredulity. Leonardo's accentuation on perception and exact science was not independent from his specialty. ( Leonardo Da Vinci ; Science, Observation, Empiricism, and Mathematics) Vitruvius: Vitruvian Man, by Leonardo Da Vinci, 1490 The Vitruvian Man was made utilizing shape lines. The detail and concealing is restricted however depicts his enthusiasm for extent and science. Da Vinci put a visual accentuation on the body itself utilizing shapes to make what goes about as a fringe. Experimentation was a discovery in the late seventeenth century and during the eighteenth. It took the unlimited prospects of craftsmanship and gave everything another viewpoint. It is the hypothesis wherein everything originates for a fact and proof. It changed the manner in which craftsmen made workmanship by giving them some knowledge and foundation before they wandered off into the awesome universe of craftsmanship. Works Cited http://www.theoryofknowledge.info/wellsprings of-information/induction/The Neoclassical (The Enlightenment) http://myeclassonline.com http://www.philosophybasics.com/branch_empiricism.html http://atheism.about.com/od/imagegalleries/ig/Leonardo-Da-Vinci/Virtuviusâ€Leonardo-Da-Vinci.htm